The saying goes, “we taste first with our eyes”, meaning we find certain colours and textures of food delicious even before actually taste them. Not only are colourful fruits and vegetables appetizing and pretty to look at, but they are full of the nutrients our bodies need to stay healthy and energetic, hence the other saying, “a colourful plate is a healthy plate”.
Continue reading “Recipe: Embrace Colour with Vancouver Eats”
My first introduction to David Hockney’s work was while attending a mid-century modernism course at the University of British Columbia. It was a typical wet autumn day and as I sat in a cold, dark auditorium, my professor threw Hockney’s A Bigger Splash onto the screen. There was something about this large scale colourful painting of a California backyard swimming pool, that prompted me to start planning a sunny vacation.
Continue reading “A Bigger Splash. A Bigger Book.”
We were honoured to host master craftsman Taka from the legendary Japanese manufacturer Kaikado.
Kaikado was established in 1875, shortly after Japan opened its doors to the rest of the world. With welcoming outside civilizations came the import of tinplate from England. Tin was used for the plating of steel, and was considered a fashionable foreign-made item at that time.
In the Edo era, canisters made from tin became commonplace means of storage for tea, as were jars made from china or earthenware. It was the company’s founder, Kiyosuke, who first designed the tin tea caddy and made it into a commercially available item, the very same caddies that they still make today.
The following day after Taka’s talk, he held a workshop with a lucky few in the craft of fabricating one of their small plates.
Florence Marguerite Knoll Bassett née Schust was born May 24, 1917 in Saginaw, Michigan. Florence studied Architecture under Eliel Saarinen at the Cranbrook Academy of Art in 1934. In 1936, she started to explore furniture making with Eliel’s son Eero and the now legendary Charles Eames.
Florence discussing the now infamous Tulip base with Eero Saarinen
Continue reading “Happy Birthday Florence Knoll”
David Hockney: A Bigger Book. Available exclusively at Inform, $3,375
Still have someone left on your list and not sure what to get them? How about the gift of knowledge and inspiration? Here are a few of our favourites currently in the bookstore.
Continue reading “Gift Ideas: Book ’em Danno!”
Lucellino by Ingo Maurer
You know them, they have everything they want already and they really don’t want much. You stroll around malls and boutiques hoping that some unique random object will jump out at you and say “This is what they need!”… trust us, it won’t.
Here we’ve compiled a few items that would suit and delight pretty much anyone and chances are they wouldn’t have thought to have bought it for themselves already.
Continue reading “Gift Ideas: For the “impossible to buy for friend””
Time to get all snuggly and warm. Here are a few pieces to help make it all that much nicer.
Continue reading “Gift Ideas: Wanna’ Cuddle?”
This one is for the little Charleses and Rays in your life. Though the high quality of craftsmanship may be lost on them, the long-lasting fun will not.
Some designers are tame in practice and personality. Others have edge, strive to be unique and make impressions on whomever they meet. You’ll find Tom Dixon somewhere in-between, comfortably poised in no-man’s land. When you find him there, he’ll make you second guess the preconceptions. He is humble while proud, boisterous but timid, chaotic yet well defined – somehow there isn’t any contradiction. To say that Tom Dixon is a paradox is probably the most accurate description that one could give to him though it’s still far from actuality. He occupies a finite space where intellect and passion are paramount and few external factors hold any creative weight. You have to meet him… did you? He was just here.
Tom flew in on the Thursday before last and went straight to work, not stopping until he flew to LA and did it all over again, two days later. Most highly sought-after personalities might head to their hotel to wash, rest, and go out for an overpriced meal with those that they deemed fit. Not Tom. Tom wanted to go to the scrap-yard and dig through objects long forgotten and like the mad scientist that he is, bring the dead back to life, striving to leave Vancouver a little better than how he found it. This is after all what he attributes as the cause of his rise to fame. __
Continue reading “Space Oddity”
Equestrian statue of Ranuccio Farnese by Francesco Mochi, in Piazza Cavalli, Piacenza
Everyone can feast on Italy’s al fresco banquet for the soul
In Italy, art is definitely not confined to the museums and the churches. It is everywhere. A house opposite the church od Sant’Eustachio in Rome, more or less round the corner from the Pantheon, in the very heart of the city, still retains quite substantial elements of the frescos applied to its façade by Taddeo Zuccaro in the second half of the sixteenth century.
Most of the al fresco art that surrounds one is sculpture. In our health and safety/conservation-fixated age, the idea of masterpiece taking their chance in the open may indeed seem foolhardy, but the fact is that they have survived remarkably well over the centuries. It is true that three pieces were broken off the left arm of Michelangelo’s David during an anti-Medicean rebellion in Florence in 1527, and rescued by two young artists, Giorgio Vasari – of Lives of the Artists fame – and his friend Francesco Salviati. More generally, however, the sheer weight of large-scale marbles and bronzes means they are hardly likely to be pinched by even the most determined thieves. On the contrary, the most common reason for any such disappearances is a forgivable desire to protect such works from the elements.
Continue reading “Art al Fresco”